blue's clues & you!

[84] The goals were to make the show look natural and simplistic; as Tracy put it, "freshly cut and glued together with a vivid array of textures, colors, and shadows"[85] similar to picture book illustrations. The title character of Blue's Clues, Blue, is a female puppy who communicates to her owners (Steve, Joe, and Josh) through barking on the syllables and stresses of the sentences she means, which they can partially understand based on her expression and tone.Every episode, she initiates a game of Blue's Clues, in which she leaves three pawprints for the host and the viewer to … The producers originally wanted a female host,[33] but after months of research and over 1,000 auditions, they hired actor/performer Steve Burns based on the strength of his audition. "Helping Hands? [119] They found that when the content of a program was new and challenging, children paid more attention, and when it was familiar, either from previous viewings or in a format they recognized, they instead interacted more. [66][note 3] The research team and creators worked collaboratively. [14] According to The New York Times, Kessler was the first creator to be brought on board to the project; Santomero and Johnson joined soon after. The Felt Friends – A group of children made from geometric felt shapes. : Blue's Sing-Along Spectacular has 4 Episodes: Season 1 Episode 11: Song Time with Blue the remake of Blue's Favorite Song, Season 1 Episode 12: Bluestock the remake of Bluestock, Season 2 Episode 1: Blue's Big Beat Band the remake of Blue's Big Band and Season 2 Episode 2: Blue's Big Dance Party the remake of Let's Boogie [27] By 1998, it became the highest-rated show for preschoolers on commercial television. [91] Johnson credited Kessler with the idea of using the Macintosh. Kirkorian, Heather L.; Ellen A. Wartella; Daniel R. Anderson. [91] Their process looked like traditional cut-out animation, but was faster, more flexible, and less expensive, and it allowed them to make changes based on feedback from test audiences. A live production of Blue's Clues, which used many of the production innovations developed by the show's creators, toured the U.S. starting in 1999. [19] At first, Nickelodeon had hired Anderson as an adviser for its Nick Jr. block of preschool programs starting in 1993, although Santomero had already been getting his input about research informally. Created by Angela Santomero, Todd Kessler, Traci Paige Johnson. "[3] They found that as the pilot progressed, children's attention was not only captured and sustained, but they became excited and actively participated with what they saw, to the point that they stood up to get closer to the television and spoke back to the host. Neither Hoppe nor Gallo had any previous experience in children's theater. By 2001, the show's research team consisted of head researcher Alice Wilder, Alison Sherman, Karen Leavitt, and Koshi Dhingra. "[126] The 2002 studies demonstrated that experience with watching one TV series affects how children watch other programs, especially in the way they interact with them. [111] Blue's Clues won an award from the Greater Los Angeles Agency on Deafness (GLAD) for promoting deaf awareness in the media. [22] They were given a "modest" $150,000 to produce a pilot. Blue's Clues S01 E17 Tickety's Favorite Nursery Rhyme.mp4 download. [95], Ratings for Blue's Clues were high during its first season, and it was Nickelodeon's most popular preschool program. [36][24] Burns himself stated, "I knew I wasn't gonna be doing children's television all my life, mostly because I refused to lose my hair on a kid's TV show, and it was happenin'—fast. [93] By 1999, the show's animation department consisted of Palmer, 20 animators, 11 digital designers, and 5 art directors and model makers. [105] The producers were concerned with children's response to the host, who was played by Tom Mizer (a different actor than the host of the TV show), but his young audience enthusiastically accepted and embraced him. Fisch, Shalom M.; Rosemarie T. Truglio (2001). [62] Like Sesame Street, formative research which the producers called their "secret sauce,"[63] was used during all aspects of the creative and decision-making process during the production of Blue's Clues. I do have my own Noggin recordings on VHS so if I find a way to rip those, I'll upload them. Topics Blue's Clues. [123] Anderson stated, "Given the program's large audience, it appears that the program is not only doing well, but it is also doing good. [78] The structure of each episode was repetitive, designed to provide preschoolers with comfort and predictability. Nick and all related titles, logos and characters are trademarks of Viacom International Inc. Research was part of the creative and decision-making process in the production of the show and was integrated into all aspects and stages of the creative process. [3] Producers/creators Angela Santomero, Todd Kessler, and Traci Paige Johnson combined concepts from child development and early-childhood education with innovative animation and production techniques that helped their viewers learn. [86] Rubin and Balaban encouraged the musicians who performed for the show to improvise. [102], Starting in 1999, a live production of Blue's Clues toured the U.S. to positive reviews. 'Blue's Clues' Just Included These 9 LGBTQ+ Pride Flags In New Video. [108], Regional versions of the show, featuring native hosts, have been produced in other countries. I also wanted to create a show that would help pre-schoolers feel good about themselves". 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blue's clues & you! 2021